{"id":261,"date":"2018-03-10T15:21:14","date_gmt":"2018-03-10T15:21:14","guid":{"rendered":"http:\/\/kayfingerle.com\/?page_id=261"},"modified":"2018-04-03T16:51:01","modified_gmt":"2018-04-03T16:51:01","slug":"imprint","status":"publish","type":"page","link":"http:\/\/kayfingerle.com\/?page_id=261","title":{"rendered":"imprint"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">IMPRESSUM\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Kay Fingerle<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Linienstrasse 80<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">10119 Berlin<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Haftungsausschluss:<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Trotz der sorgf\u00e4ltigen Gestaltung und Zusammenstellung dieser Webseite kann keine Garantie f\u00fcr die Aktualit\u00e4t, Richtigkeit und Vollst\u00e4ndigkeit der enthaltenen Informationen gegeben werden.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Copyright:<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Das Urheberrecht f\u00fcr die in dieser Website enthaltenen Texte und Abbildungen liegt bei Kay Fingerle. Jede Verwertung, Wiedergabe oder Ver\u00e4nderung der Inhalte bedarf der schriftlichen Zustimmung des Rechteinhabers.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Design: Kay Fingerle<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">all images \u00a9 Kay Fingerle 1999 &#8211; 2018<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IMPRESSUM\u00a0 Kay Fingerle Linienstrasse 80 10119 Berlin Haftungsausschluss: Trotz der sorgf\u00e4ltigen Gestaltung und Zusammenstellung dieser Webseite kann keine Garantie f\u00fcr die Aktualit\u00e4t, Richtigkeit und Vollst\u00e4ndigkeit der enthaltenen Informationen gegeben werden. Copyright: Das Urheberrecht f\u00fcr die in dieser Website enthaltenen Texte und Abbildungen liegt bei Kay Fingerle. Jede Verwertung, Wiedergabe oder Ver\u00e4nderung der Inhalte bedarf der &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/fullwidth.php","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9JE53-4d","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":63,"url":"http:\/\/kayfingerle.com\/?page_id=63","url_meta":{"origin":261,"position":0},"title":"showcases","date":"Februar 28, 2018","format":false,"excerpt":"Mouse Bunker & Institute for Hygiene: Experimental Setup Berlin Opening at the BDA Gallery 05.09.2020, 1 \u2013 6 p.m. in presence of the curator New photographic series OUT OF HOMESTORIES is shown at the exhibition Mouse Bunker & Institute for Hygiene: Experimental Setup Berlin Buildings by G+M H\u00e4nska I Fehling+Gogel\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/09\/opening_neu_03.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":799,"url":"http:\/\/kayfingerle.com\/?page_id=799","url_meta":{"origin":261,"position":1},"title":"mies","date":"Februar 18, 2020","format":false,"excerpt":"The photography in the exhibitin Mies in Berlin spans nearly a century. On one end of the spectrum, archival prints from large- format glass negatives as early as 1907 document Ludwig Mies van der Rohe\u2018s earliest work; on the other, recent, digitally altered images by Thomas Ruff subject those iconic\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/mies_200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1028,"url":"http:\/\/kayfingerle.com\/?page_id=1028","url_meta":{"origin":261,"position":2},"title":"homestories","date":"Februar 19, 2020","format":false,"excerpt":"Homestories is probably the most personal project, since it shows homes, abandoned by it`s inhabitants for different reasons. There are leftovers like clothes, furnitures, personal belongings - not all of them, but some artifacts of a persons life. In Sarahs House everything left is connected to the house, like the\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/Homestories_Japan_100.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":797,"url":"http:\/\/kayfingerle.com\/?page_id=797","url_meta":{"origin":261,"position":3},"title":"built natures","date":"Februar 18, 2020","format":false,"excerpt":"Kay Fingerle was Artist in Residence at the Villa Kamogawa of the Goethe-Institut in Kyoto in the summer of 2019. There she investigated \"Built Images of Nature\" as architecture-related constructs of nature. In the rocks of Nagoya, Kyoto, and Himeji an artificial and independent image of built nature is staged.\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/NATUR_FLAT_BDS8156_00001-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1030,"url":"http:\/\/kayfingerle.com\/?page_id=1030","url_meta":{"origin":261,"position":4},"title":"charlottes ramps","date":"Februar 19, 2020","format":false,"excerpt":"Perriand's buildings in Les Arcs in the 1970s bring together the immaculate and fragile mountain landscape of France with the emerging mass tourism. The mountain architecture is an expression of the social vision of the \"holiday for everyone\" under the French labour legislation of the 1960s. During her stays in\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/Charlotte_Perriand_101-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52,"url":"http:\/\/kayfingerle.com\/?page_id=52","url_meta":{"origin":261,"position":5},"title":"projects","date":"Februar 28, 2018","format":false,"excerpt":"shacks The informal, probably not even legal, self built structures at the inshore landscape next to the beach, with its strong organized private areas of lined - up beachhouses, which all look alike, a self - organized group of about 25 sculptural objects by anonymous builders extends along the inshore,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/Web_34.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages\/261"}],"collection":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=261"}],"version-history":[{"count":3,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":445,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages\/261\/revisions\/445"}],"wp:attachment":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}