{"id":44,"date":"2018-02-28T16:27:26","date_gmt":"2018-02-28T16:27:26","guid":{"rendered":"http:\/\/kayfingerle.com\/?page_id=44"},"modified":"2018-04-04T12:12:15","modified_gmt":"2018-04-04T12:12:15","slug":"cv","status":"publish","type":"page","link":"http:\/\/kayfingerle.com\/?page_id=44","title":{"rendered":"cv"},"content":{"rendered":"

My interest in photography is based on and focused to the research about the way, space is used by its inhabitants and users. In this use of space one can find ideas and expressions of our society, of the way we live together.\u00a0<\/span><\/p>\n

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With this focus I realized a number of photographic projects: important to myself are my photographical series on Mies van der Rohes European buildings for <\/span>Mies in Berlin<\/i><\/b><\/span> at the Museum of <\/span>Modern Art MoMA New York<\/b><\/span>; my work on the relation between the inside and the outside of buildings for\u00a0 <\/span><\/span>In the Praise of Shadows<\/i><\/b><\/span> exhibited at the <\/span>Architecture Biennale<\/b><\/span> Metarmorph in <\/span>Venice<\/b><\/span>, my ongoing project <\/span>Shacks<\/i><\/b><\/span> , I developed as Artist in Residence at the <\/span>Centro Tedesco di Studi Veneziani<\/b><\/span> in Venice about self-organized common spaces and <\/span>Homestories<\/i><\/b><\/span> <\/i>in which I show interiors of houses and dwellings abandoned by their former inhabitants.<\/span><\/p>\n

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all images \u00a9 Kay Fingerle 1999 – 2018\u00a0 \u00a0 \u00a0 .\u00a0 \u00a0 \u00a0 \u00a0back to start<\/a><\/span><\/p>\n

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My interest in photography is based on and focused to the research about the way, space is used by its inhabitants and users. In this use of space one can find ideas and expressions of our society, of the way we live together.\u00a0   With this focus I realized a number of photographic projects: important …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/fullwidth.php","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9JE53-I","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":799,"url":"http:\/\/kayfingerle.com\/?page_id=799","url_meta":{"origin":44,"position":0},"title":"mies","date":"Februar 18, 2020","format":false,"excerpt":"The photography in the exhibitin Mies in Berlin spans nearly a century. On one end of the spectrum, archival prints from large- format glass negatives as early as 1907 document Ludwig Mies van der Rohe\u2018s earliest work; on the other, recent, digitally altered images by Thomas Ruff subject those iconic\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/mies_200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52,"url":"http:\/\/kayfingerle.com\/?page_id=52","url_meta":{"origin":44,"position":1},"title":"projects","date":"Februar 28, 2018","format":false,"excerpt":"shacks The informal, probably not even legal, self built structures at the inshore landscape next to the beach, with its strong organized private areas of lined - up beachhouses, which all look alike, a self - organized group of about 25 sculptural objects by anonymous builders extends along the inshore,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/Web_34.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":63,"url":"http:\/\/kayfingerle.com\/?page_id=63","url_meta":{"origin":44,"position":2},"title":"showcases","date":"Februar 28, 2018","format":false,"excerpt":"Mouse Bunker & Institute for Hygiene: Experimental Setup Berlin Opening at the BDA Gallery 05.09.2020, 1 \u2013 6 p.m. in presence of the curator New photographic series OUT OF HOMESTORIES is shown at the exhibition Mouse Bunker & Institute for Hygiene: Experimental Setup Berlin Buildings by G+M H\u00e4nska I Fehling+Gogel\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/09\/opening_neu_03.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":257,"url":"http:\/\/kayfingerle.com\/?page_id=257","url_meta":{"origin":44,"position":3},"title":"intent","date":"M\u00e4rz 10, 2018","format":false,"excerpt":"My intent in photography is based on my deep interest in spatial appearances, which query the existing state of mind by asking for transformations on social meaning, aging, utilization, occupancy and adoption of common spaces. Those spaces only sometimes called architecture. Photography to me always was much more than a\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/indivual_house_100.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1030,"url":"http:\/\/kayfingerle.com\/?page_id=1030","url_meta":{"origin":44,"position":4},"title":"charlottes ramps","date":"Februar 19, 2020","format":false,"excerpt":"Perriand's buildings in Les Arcs in the 1970s bring together the immaculate and fragile mountain landscape of France with the emerging mass tourism. The mountain architecture is an expression of the social vision of the \"holiday for everyone\" under the French labour legislation of the 1960s. During her stays in\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/Charlotte_Perriand_101-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":789,"url":"http:\/\/kayfingerle.com\/?page_id=789","url_meta":{"origin":44,"position":5},"title":"shacks","date":"Februar 18, 2020","format":false,"excerpt":"The informal, probably not even legal, self built structures at the inshore landscape next to the beach, with its strong organized private areas of lined - up beachhouses, which all look alike, a self - organized group of about 25 sculptural objects by anonymous builders extends along the inshore, a\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/kayfingerle.com\/wp-content\/uploads\/2020\/02\/SHACKS_14-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages\/44"}],"collection":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44"}],"version-history":[{"count":16,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":482,"href":"http:\/\/kayfingerle.com\/index.php?rest_route=\/wp\/v2\/pages\/44\/revisions\/482"}],"wp:attachment":[{"href":"http:\/\/kayfingerle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}